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Flash Art
''Flash Art'' is a bimonthly magazine focusing on contemporary art. It was founded in Rome in 1967 by Italian publisher and art critic Giancarlo Politi. The magazine has been based in Milan, Italy since 1971. Originally a bilingual publication, it was split in two separate editions, ''Flash Art Italia'' (in Italian) and ''Flash Art International'' (in English), in 1978 when Helena Kontova joined the editorial team. It also publishes ''Flash Art Czech & Slovak Edition'' and ''Flash Art Hungary''.
It has been described as "the confident, international journal of European and North American contemporary art, and features interesting viewpoints on American art from a European perspective."〔Tony Stankus, ''Journals of the Century'', (Haworth Press, Philadelphia, 2002): p. 125. ISBN 0-7890-1134-4〕 ''Flash Art'' extensively covered the Arte Povera artists in the 1960s, before they became known in the English speaking world.〔Suzaan Boettger, ''Earthworks: Art and the Landscape of the Sixties'' (University of California Press, Berkeley, 2002): p. 261. ISBN 0-520-24116-9〕
==History==
''Flash Art'' acquired a magazine format in 1974. The magazine was published in three languages: Italian, English and French and was divided in two main parts: on the one hand its international side is continuously updated with several sections called ''Flash Art'' Italia, England, France, USA and Eastern Europe edited by selective correspondents; on the other hand the editorial staff tries to engage artists in the realization of the magazine.
In 1977 the Committee for the Visual Art and the Artists Space in New York hosted the exhibition “Picture”. On this occasion ''Flash Art'' published texts by Douglas Crimp and artists Thomas Lawson and David Salle, highlighting the birth of the Picture Generation.〔Douglas Eklund (ed.), The Pictures Generation, 1974-1984, exhibition catalogue the Metropolitan Museum of Art, 4/21/09 – 8/2/09, (Yale University Press, New Haven, 2009). ISBN 978-0-300-14892-3〕 In 1979 ''Flash Art'' split into two editions: ''Flash Art International'' and ''Flash Art Italia''. In 1980 the editorial board gives increasing attention to the New York art scene: Thomas Lawson reviewed on David Salle at Larry Gagosian Gallery / Nosei-Weber / The Kitchen as well as the famous "Three Cs" (Chia, Clemente and Cucchi) at Sperone Westwater Fisher, helping to bring the central figures of the Transavanguardia to public attention.〔David Rimanelli "Time capsules: 1980-1985 - Calendar," Artforum (March 2003).〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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